Month: December 2022

This post is Filed Under:

Home page Highlights,
Interviews and Columns

Dread Gods #1 Tom Raney cover

Ron Marz is known to comic fans for his work on green Lantern, Witchblade, John Carter, Warlord of Mars, Silver Surfer, and much more. His most current series is Dread Gods from Ominous press with artists Andy Smith and Bart Sears. The series is published by IDW. Westfield’s Roger Ash recently talked to Marz about this exciting, new project.

Dread Gods #1 Kenneth Rocafort cover

Westfield: For those who haven’t experienced the Ominous universe yet, what should they know going into Dread Gods?

Ron Marz: Ultimately, they don’t need to know anything at all. The book is written to be an introductory, ground-floor read. You don’t need to bring anything with you; you don’t need to have any foreknowledge; you don’t need to go to a Wikipedia page. We’re going to tell you a story and we’re going to start at the beginning of the story so you don’t need to know anything else.

The only general background is Ominous press is doing heroic stories that fall generally into science fiction and fantasy categories, but they’re a mix of elements. Dread Gods has a godly, mythic aspect to it, and it has a post-apocalyptic aspect to it. It’s kind of its own soufflé.

Dread Gods #1 preview page 1

Westfield: What can you tell us about the story?

Marz: It’s called Dread Gods because the main characters believe that they are god-like beings in a bucolic paradise, and they have larger-than-life adventures, romances, and battles. As far as they’re concerned, they’re the deities of their reality, and they are living lives writ large. The reality of it is that they’re actually monsters. They’re entertainment for the masses in a post-apocalyptic landscape, where much of the population plugs into the daily exploits of these gods. The overlords of the world placate the masses by giving them bread and circuses. The story really starts when our gods figure out that the reality they’ve always believed in is nothing more than an ephemeral fantasy. They eventually free themselves from captivity and find themselves not gods in a perfect world, but monsters in a hellish landscape. The story is really about what they decide to do about this reality check that’s suddenly thrust upon them.

Dread Gods #1 preview page 2

Westfield: who are some of the main characters readers will meet?

Marz: The main characters are our gods who are patterned after the Greek gods so they have names like Zeus, Hera, and Aphrodite and even demigods like Achilles. They’re not the Greek gods of myth, but they’re a version thereof. They live lives of bucolic glory, but that obviously doesn’t last. There’s a character who’s responsible for freeing them, who becomes aware of their reality. He learns that the gods people plug into each day are actually prisoners, and he’s an instrument to try to free them. That character is a small person in a wheelchair. He, in many ways, is the least among the population. He’s one of the forgotten people. The gods will ultimately depend upon this a lot of human and a lot of frail character to help them in the real world .

Dread Gods #1 preview page 3

Westfield: You’re working with Tom Raney and Bart Sears on the book. What can you say about your collaboration with them?

Marz: The Ominous universe is, to a large extent, the brainchild of Bart Sears. These are concepts that he initially fleshed out two decades ago when Ominous press first flourished. He didn’t get to tell any of these stories. In the 20 years since, hopefully we’re all better at our jobs than we were then, so things have been revised and adjusted and made even better. We’re very much playing in Bart’s playground, but he’s giving Tom and I completely free rein to do what we want and tell the story in the manner we see fit.

When we started talking about bringing back Ominous press – it was me, Bart Sears, Andy Smith, and Sean HusVar, who’s our publisher and a guy we’ve all known for 20 years – this was one of the titles that we kicked around. because of the nature of it, because of the techno-organic setting, I immediately thought of Tom because I thought this would be right up his alley. I frankly can’t see this world through any other artistic eyes now. I’m obviously not an unbiased source of information, but I think Tom’s doing the best work of his career. I’m trying to write it in the sweet spot for his style. The pages are really remarkable looking, and because we started early enough, Tom’s really got the time to extravagant attention on all of these pages. I should also mention the color is supplied by a guy named Nanjan Jamberi, who is an Indian colorist that we’ve been working with, and he’s phenomenal. The combination of Tom and Nanjan is turning out some really pretty stuff.

Dread Gods #1 Neal Adams cover

Westfield: The solicitation says that there’s additional material in thebook. What else will readers find?

Marz: Bart’s going to be doing a back up story and I’ll be kibitzing on the writing of that with him. The rest of the issue, which is a double-sized issue but the price identify is the same as a single-issue comic, is a bunch of background material on the Ominous universe and other Ominous titles and characters. We’re going to fill this 48 page book with everything we can to make it as enticing a package as possible.

Westfield: What else is on the way from Ominous Press?

Marz: Dread Gods is our first title, which will run for four issues. The second one will be Giantkillers, which Bart is writing and drawing himself. The third one will be Demi-God, which is by myself and Andy Smith. The plan is for a second Giantkillers tiny to follow the initial three series. The intention is to tell stories in four-issue arcs and then bring those titles back on a regular basis. We’re giving ourselves a bit of a deadline break to get ahead, and then release more. The Ominous stuff from IDW will be monthly, and we’ll have some additional one-shots and different packages of material. but there’ll be something every month as we embark upon this series of miniseries.

Dread Gods #1 Bart Sears cover

Westfield: any closing comments?

Marz: I’ve likened the whole Ominous experience to when you’re a kid and you put on a play in the backyard, and you just make up stuff with your friends. This is really why we all do comics. You get into this because you love the artform, you love to tell stories this way, and we’re telling our own stories. We’re telling the kind of stories that Bart, Andy, Tom, Sean, and I all grew up reading: Tolkien, Robert E. Howard, Edgar Rice Burroughs, and science fiction stuff like Frank Herbert, Heinlein, and Arthur C. Clarke. all of those elements are in the mix for us. This is an opportunity for us to tell the kinds of stories we love. It’s a rare opportunity, so I don’t think any of us are taking it for granted. We’re absolutely putting our best foot forward.

Purchase

Dread Gods #1

This publish is Filed Under:

Home page Highlights,
Interviews as well as Columns

John flood #1

Justin Jordan is the writer of such comics as Luther Strode, Deep State, Spread, eco-friendly Lantern: new Guardians, as well as more. His new series, John Flood, debuts in August from BOOM! Studios as well as stars a personal detective who doesn’t requirement to sleep. Westfield’s Roger Ash got in touch with Jordan to discover a lot more about this upcoming comic.

Westfield: What can you tell us about the genesis of John Flood?

Justin Jordan: Well, I was reading about armed forces experiments to keep soldiers awake longer, as well as things that would enable you to stay awake longer. Which really exist, now. There are medications like Provigil that enable you to prevent a few of the impacts of sleep debt.

So, as these things do, it got my brain working on what life would be like if you never slept, as well as what would have to occur for you to be able to survive. Basically, what we seem to truly requirement is the REM stage of sleep.

What ended up coming out was the concept of a guy who never slept, however was never truly awake either. He existed in this hallucinatory dream specify all the time which, major downside, prevented him from being completely sure what was genuine as well as what wasn’t.

The upshot was that he might likewise utilize dream logic to make these intuitive jumps, so he was uniquely great at solving problems.

The other part of it was the concept of the competent criminal. The people in prison as well as with criminal records are the people who got caught. It’s possible, although not likely, that there’s some number available who are just so great the authorities never truly understand they exist.

So I took that concept as well as used to a killer. somebody who killed without any specific pattern or signature might have crisscrossed the country for years, as there are tons as well as tons of unsolved murders as well as missing persons cases.

These concepts collided when I believed Flood’s believed processes might discover this person by inferring him from the lack of evidence. No pattern was in itself a pattern. At least if you’re John Flood.

Character styles by Jorge Coelho

Westfield: You’re working with artist Jorge Coelho on the series. What can you state about your partnership with him?

Jordan: He’s awesome, as well as it’s going truly well? Jorge as well as I have understood each other, at least online, for a couple of years now anyway, as well as we really satisfied a few years ago. Likewise, Tamra Bonvillain, who is doing the colors, as well as I have been trying to work her for years.

So when I saw them on Sleepy Hollow, I desired them as my team. Which for a book like John Flood, which has a hallucinogenic dream like quality, has worked out excellent for me. They make me look extremely good, which is always great as a writer.

John flood #1 ten Years Variant Cover by Rob Guillory

Westfield: who is John flood as well as who are a few of the other characters we’ll meet?

Jordan: flood when we very first satisfy him is making a living as…..I assumption personal detective is most likely the closest description. He solves issues for people, as well as in return they provide him stuff. Money, mansions, etc.

So he’s got a life, of sorts. however while he’s extremely gifted at one thing, he’s kind of useless for whatever else, so he has to have a helper/minder/assistant. In this series, that’s Alexander Berry, who gets the task in the very first issue.

Berry is a young ex police officer who lost his task after he did something…..debatably bad, extremely publically. We’ll discover out what he did over the program of the series, however he’s trying to find redemption. He’s likewise Flood’s de facto muscle, which he isn’t genuine delighted about.

The other primary character is the killer, who flood regrettably does prosper in goading into coming after him. This guy has killed countless people over the last twenty five years as well as he really, truly doesn’t appreciate flood making his existence public.

John flood #1 Nick Pitarra Variant Cover

Westfield: What can visitors look ahead to in the story?

Jordan: Fun!

Well, I hope. I’m having a damn great time composing the connection between the directly laced Berry as well as the deeply, deeply odd Flood, as well as ideally that comes with in the reading.

Beyond that, there’s some great action as well as mayhem as well as a respectable secret at the core of the book, so I hope people will dig it. If you’ve liked my other books, I believe you will most likely such as this one.

Westfield: The solicitation states that John flood can’t always tell what is genuine as well as what isn’t. will the visitors understand the difference or will we be wondering that together with him?

Jordan: often yes, often no. part of the fun is decoding what is as well as isn’t happening. however that’s part of the reason we have Berry in there. For the reader, he is the difficult anchor to reality, just as he is in story for Flood.

Purchase

John flood #1

This publish is Filed Under:

Home page Highlights,
Interviews as well as Columns

Gunning For Hits #1

Jeff Rougvie has been in the music business for decades as well as has worked in diverse capabilities for artists including David Bowie, huge Star, Elvis Costello, Devo, Bob Mould as well as Sugar, The Replacements, They may Be Giants, as well as many others. He brings his know-how in the world of music to comics with Gunning For Hits, a new series from picture with artist Moritat. Rougvie tells Westfield’s Roger Ash more about this interesting new series.

Westfield: exactly how did Gunning For Hits come about?

Jeff Rougvie: I’ve been in the music business all my life, as well as I still run a label. The concept for the story we’re telling in the very first six problems came about when I started working with David Bowie. He was a brilliant artist as well as I got to understand him as a wonderful person, however he was at a low-point, career-wise as well as artistically. I started thinking; what will occur if he doesn’t turn his career around? When you have an artist of his magnitude in that situation, exactly how would he as well as the record business offer with it?

Gunning For Hits #1 preview page 1

Westfield: exactly how much did you draw on your own experiences for the book?

Rougvie: music fiction has a tendency to autumn into the exact same old clichés. It’s one of the reasons I set the book in the ‘80s – most writers run to the ‘60s or ‘70s, however the ‘80s was when things truly got crazy in the business. This book isn’t going to be yuppies hoovering up vast quantities of nose candy or taking advantage of groupies. We’re trying to turn tiring conventions sideways. There’s rather a bit of my experience in there, as well as stories I heard from others, however those are springboards for totally fictional scenarios. So while my character Brian Slade may seem Bowie-esque, he’s evil, as well as David was not. That’s what makes it fun!

Gunning For Hits #1 preview page 2

Westfield: What can you tell us about Martin Mills?

Rougvie: He’s a skill scout (A&R person) in the ‘80s nyc music business with a string of hits as well as a  mysterious background. He’s a narcissist, however in service of music. He believes in the power of the perfect pop song, as well as bit else – with great reason. When I started to compose the book, I plotted out Martin’s entire life – even his death – as well as I have about a hundred Martin Mills stories to tell. We join his story a couple of years into his music business career, however there are hints throughout about his past as well as visitors can comply with a twitter account of Martin’s Journal excerpts @MartinMillsHits to fill in more blanks. He’s the primary character, as well as perhaps the guy you’re rooting for, however Martin’s no hero.

Gunning For Hits #1 preview page 3

Westfield: who are a few of the other characters visitors will meet?

Rougvie: Brian Slade, Martin’s preferred traditional rock artist, who is thought about washed-up. Martin is persuaded he can make Brian a big star again. then there’s Billy, the primary innovative force of Stunted Growth, a band Martin is aggressively trying to indication in the very first issue, as well as Billy’s manager / sweetheart Diane, who both get entangled with Slade. And, of course, Melch who is one of my favorites to write. He’s Martin’s only friend, as well as cuts off a co-worker’s finger.

Westfield: will there be any type of genuine venues as well as people in the comic or is it strictly fiction?

Rougvie: We’ll refer to lots of genuine people, locations as well as events in the story. For instance, we talk about Iggy Pop in the very first issue, however he’s not doing a walk-on! There’s likewise a Gunning For Hits Spotify playlist that of program features genuine musicians, all of whom exist in Martin’s world. I look at the world of the comic the exact same method Tarantino sees his films; every story he tells occurs in his world, however a few of them are genuine events as well as others are really movies shown in the Tarantino-verse.

Westfield: What can visitors look ahead to in the story?

Rougvie: I pitched the book as a revenge fantasy for each tune that should’ve been number one. It’s called Gunning For Hits for a reason, so in the very first problem visitors will discover a great deal about exactly how the music business works, which I believe we’ve dealt with in an entertaining way. We likewise see exactly how Martin uniquely beats the odds. later on, you’ll satisfy Brian Slade, who ensnares many characters in his web, producing all kind of issues for quite much everybody – except Melch, who is happy if the bar is well-stocked. as well as it is.

Gunning For Hits #1 preview page 4

Westfield: You’re working with the artist Moritat on Gunning For Hits. What can you state about your collaboration?

Rougvie: I’m truly lucky tohave him on the book – we’ve been having a blast! His art as well as designs are ingenious, as well as he’s truly caught the character of 1980s new York. Comics have been an obsession all my life, however I’m a very first time comic writer, so Moritat’s been super-helpful in navigating the world of comics. I was a fan of his before Eric Stephenson introduced us – his work at DC on The Spirit as well as Jonah Hex blew me away, as well as he’s truly pushing himself right here – people who’ve seen the book are loving his art. as well as Casey Silver is important too, coloring as well as doing letters.

Gunning For Hits #1 preview page 5

Westfield: any type of closing comments?

Rougvie: TV shows like Madmen, The Sopranos, The cable as well as The Newsroom have taken deep dives into the inner workings of different markets (yes, I think about criminal offense an industry), so it’s surprising to me that comics haven’t complied with suit, since people are clearly interested. a few of the most prominent TV shows ever are about music, as well as Bohemian Rhapsody was just the number one movie, so clearly music as well as the music market stay a source of fascination. I believe comic visitors have been underserved in this arena as well as I hope they discover new as well as compelling comic / music stories in Gunning For Hits. I have to say thanks to picture for their interest for Gunning For Hits. It’s a testament to their commitment to trying new things, which is why they’re the most fascinating publisher in comics.

everyone is always looking for a good investment. For some, retail businesses ownership can be lucrative. The problem is, that can be time consuming. For others, real estate is a profitable investment sector. Unfortunately, that can mean a lot of money has to be brought to the table. One terrific source of investment that many look past are comic books. Comic books survive year after year as a popular form of media. Additionally, they grow in popularity now more than ever thanks to big budget movies for marvel and DC. If investing in comic books seems like something you’re interested in, this guide will help get things started.

Types of Comic book Investing

There are a few ways to approach investing in comics. new comics come out every month worth investing in. keeping up with every issue of a popular character is hard to do. Some attempt to make the dive into this deep form of collecting and investing, but others take it a bit easier. here are the main ways many choose to invest in comics.

Collect to Invest

A lot of investors love comic books as fans. The practice of purchasing and selling comic books is an extension of an already passionate hobby. many of those types of investors collect to invest. As a whole, this practice allows collectors to buy as much of a character or series as they like, then sell them as they gain in value. many investors who fall in this category do not even know they are investors.

x

Mario Kart DLC Gold Rush.mp4

0 seconds of 12 minutes, 40 seconds

Live
00:00
12:40
12:40

If a comic book purchased 10 years ago suddenly becomes profitable, a lifelong collector may find themselves in an investor position. It’s a nice surprise, but some also collect simply to invest the money into something that may yield a profit later. Either way, this involves purchasing a lot of comics, which is hard to do if money is tight. It also occurs more typically with new comics, but can also involve purchasing older issues as well.

Image Credit: buy Shares In

Invest to Invest

No, that is not a typo. many comic book investors simply invest a lot of money at the hopes that they will get more back later. These comic book investors purchase already popular and typically expensive comics at the hopes that the price will go even higher. It’s hard to predict the value of comics that come out in the present day. For this reason, many investors of this type stick to only buying older, highly sought after comics.

Because of this, the investors in this category spend a lot of money to make a lot of money. It is easier to buy cheaper, new comics than to keep up with the expensive editions. If you have the money, however, the payoff is much greater.

Pick to Invest

This category is similar to the collect to invest group. The major difference is that picking a few characters to purchase issues of is much easier than collecting large quantities. instead of collecting DC comics for example, you may pick to invest in Aquaman comics. The thought process is sometimes strategic. certain characters yield better returns, especially if they are well known or featured in a movie. Others choose to pick to invest in their favorite character. Whatever the approach, picking a character or two to invest in is much easier and less expensive than trying to keep up with every single issue from a major publisher.

Is investing in Comic books better than real Estate?

The question of what to invest in comes up a lot. real estate is typically seen as the smartest, most lucrative way to invest. There are some downsides to this popular method.

Real Estate is Expensive
It is hard to pull together the money to buy a building and rent out the rooms. consider the ease someone has in buying a comic book and simply taking care of it until it grows in value. A few dollars for a comic book could yield money down the road, but then again, real estate can bring in money nearly right away. The only issue is that it is quite expensive to own property, and there’s no free real estate day, but free comic book day is coming up!

Real Estate is hard to Buy
The hoops one jumps through to buy real estate are tough to manage. If you are under 18, you can begin investing in comics, but would have to wait until reaching 18 to buy real estate.

Verdict

Investing in comic books can be a terrific profit down the road. It is easy to do, and with these approaches, everyone has a way to get into the practice. start today to make money tomorrow!

After the CW crossover event crisis On infinite Earths, most of the Arrowverse (or CWVerse) shows had a tough time going onward. Essentially, they had an Avengers: Endgame-level story and then tried to tell their individual stories that couldn’t help but feel “less epic.” Then, the COVID-19 pandemic shut down their seasons early, cutting off those stories just as they ascended to their climax. With the season 7 premiere of The Flash, this is the first time we truly get to see one of those stories continue. However, through no fault of anyone’s, this episode feels disjointed, frantically paced, and ultimately unsatisfying. This episode also features the end of a character that has been around since the first season of the show (kind of).

Team Flash has a lot of problems to address: Barry losing his speed, Iris trapped in the Mirrorverse, the new Mirror Master raising hell, the villainous terrorist organization Black Hole, the whole sue Dearborn side-plot, Cisco and Caitlin being gone, and the “new” members of the team stepping up. It’s a lot.

There were some things that “helped.” For example, since Hartley Sawyer was fired from the flash for insensitive tweets, Ralph and sue went into hiding and we may not hear from them again. The Mirror Master and Black hole plots were always meant to intertwine. Still, it feels like The Flash season 7 premiere is trying to do the work of three or four episodes in one. Thus, this meant that the sheer volume of different stories worked against connecting to any one of them. This show is still one of the best in the CW/DC arsenal, but this premiere couldn’t overcome the odds stacked against it.

x

Mario Kart DLC Gold Rush.mp4

0 seconds of 12 minutes, 40 seconds

Live
00:00
12:40
12:40

Spoilers to follow.

Where The Flash season 7 Premiere missed the Mark

image via Warner Bros. TV

In the context of the realities of the pandemic, it feels nit-picky to harp on the failings I found in this episode. As I mentioned above, it definitely feels like A-, B-, and C-stories from about three different episodes were all shoved into this one. This caused some to feel extraneous. For example, it’s always a delight to see Jesse L. Martin’s Joe West and his wife Cecile Horton, played by Danielle Nicolet. However, the story about Cecile expanding her empathic powers felt superfluous. Yes, it did get a crucial plot-point to the heroes, but both that and her personal discovery felt rushed.

Similarly, my least-favorite plotline from last season persisted without much advancement. Candice Patton’s Iris West is still stuck in the mirrorverse, running in circles trying to escape. separating Barry and Iris is a great tension point, as these two make each other better. Yet, other than sidelining her, it’s unclear what the point of all this mirror-stuff is. perhaps I am being unfair because of my personal distaste for the story, but it’s time for Iris to get back to the real world.

Lastly, the integration of Brandon McKnight’s Chester P. Runk and Kayla Compton’s Allegra Garcia into team Flash also didn’t get the space it deserved. Barry is left alone with only these two and Tom Cavanaugh’s latest iteration of Harrison Wells, Nash. (More on him later.) grant Gustin did a fantastic job playing up the emotional tension of being a Flash without speed, leading a team he’s not familiar with. Yet, since a lot of their initial bonding in this dynamic happens off-screen (while Barry is in cryo-stasis?) happens off-screen. Hopefully, subsequent episodes will give the new team Flash the space they need to tell these characters’ stories in a more complete way.

Where The Flash season 7 Premiere Succeeded

image via Warner Bros. TV

To be clear, my complaint about Allegra and Chester above is one based in the idea that we didn’t get enough with them. Chester especially is a big (pun intended) character from the comics. So, while I also miss Carlos Valdes and Danielle Panabaker, their characters’ absences serve the story better than Iris’s. having Barry slowly losing his powers while separated from his closest friends (and his wife) is good for the story. Gustin’s performance (at least as Barry Allen) is impressive. He stays the Barry we know while also being desperate and lost. It’s a tiny needle to thread, but he does it well.

Similarly, Candice Patton’s performances are excellent as well. While the substance of the Mirroverse storyline doesn’t resonate with me, watching her convey Iris confronting darker past versions of herself is magnetic. If anything, this should have been the storyline throughout this Mirroverse diversion. Also, Victoria Park’s Kamilla Hwang is not in the episode, but apparently, she and Iris are emailing each other in the Mirrorverse. It feels like things are finally coming to a climax. While it does make for great tension, let’s hope The Flash refrains from splitting up Iris and Barry in the future. One need only look at Superman & Lois to see how there can be plenty of tension in a story without falling back on tired romance tropes.

Finally, the sequence where Barry gets his speed back is a great VFX sequence for TV. folks love to compare the CG effects in films to TV. However, DC/CW series do a fantastic job in telling VFX-heavy stories that look good on a TV budget and schedule. even though getting to that point felt a little arduous at times, the sequence was pure comic book fan bait.

All of the Wells Deserved Better

image via Warner Bros. TV

The major headline out of The Flash season 7 premiere is the death of Nash Wells (and, subsequently, all of the Wells-es). After the crisis, the denizens of Earth-Prime believe the multiverse has collapsed. through some sci-fi magic, the “essence” of all past versions of Harrison Wells live on in Nash. The episode builds up to his eventual sacrifice, but again suffers because it all feels so rushed.

A sequence in the middle of the episode, where the Wells’ essences are transferred into Barry, suffered as well. The scene in which Gustin does his imiations of Cavanaugh’s various versions of the character is humorous but fell flat for me. Showrunner Eric Wallace told TVLine.com that this sequence was shortened. So, this likely would have happened over its own episode, a much better fit than sandwiched between heavily emotional arcs. Yet, when Cavanaugh himself cycles through the personalities as the Wells-es sacrifice themselves, it’s a much better fit. Cavanaugh isn’t going anywhere, especially since we know the reverse Flash is returning. Yet, if this is the last time we see a “Harrison Wells” on the show, having that character’s last line being “Run Barry, run” is very fitting.

One good thing about the industry shutdown is that it will allow Panabaker to return to the series earlier than expected. So, she’ll be back soon as will Valdes. This season of The Flash will be great, but the premiere and the next episode will have to wrap up last season’s stories first.

The Flash airs on the CW on Wednesdays and streams on their site the next day.

What did you think of The Flash season 7 premiere? Share your thoughts, reactions, and hopes for what’s next in the comments below.

Featured image via CW.

This publish is Filed Under:

Home page Highlights,
Press release

Red Sonja as well as Cub

January 20, 2014, Mt. Laurel, NJ:  While Gail Simone’s Red Sonja series is sweltering hot, Dynamite is providing a Red Sonja one-shot done as a manga style book! In April of 2014, Red Sonja as well as Cub will be offered, written by Jim Zub (Pathfinder), drawn by Jonathan Lau, with a cover by Jeffery “Chamba” Cruz!

Red Sonja as well as Cub interior art

In Red Sonja as well as Cub, blood will rain down upon the snowy ground as the She-Devil With A Sword battles her method across the Asiatic lands of Khitai. In a land of complex household loyalties as well as death before dishonor, will sharpened steel as well as the muscle mass to wield it be enough?

Red Sonja as well as Cub interior art

“Getting the possibility to compose a samurai-style story of savage battle as well as sacrifice with Red Sonja, one of the heavyweight characters of fantasy, is a genuine thrill,” states Red Sonja as well as Cub writer Jim Zub. “I’m stoked for people to see the huge action-big emotion trip Jonathan as well as I are putting together for this.”

Red Sonja as well as Cub interior art

For art as well as a lot more information, please visit: .

Red Sonja as well as Cub interior art